Academic Unit: Music / Type: Reviews / Language: English | Search Results

: Banerjee-Datta, Nandini Rupa
: 2018
: Reviews
: EthnomusicologyAnthropologyMexican Americans--MusicEmigration and immigration--Songs and musicVoice--Social aspects

18. Coelho, Victor and Keith Polk. 2016. Instrumentalists and Renaissance Culture, 1420-1600: Players of Function and Fantasy. Cambridge: Cambridge University Press.

: Ligrani, Jonathan
: 2019
: Reviews
: MusicologyRenaissanceInstrumentalistsCourts and courtiersComposition (Music)

19. Critical Perception and the Woman Composer: The Early Reception of Piano Concertos by Clara Wieck Schumann and Amy Beach

: Macdonald, Claudia
: 1993
: Reviews
: Music

20. Curtis Roads, ed. The Computer Music Tutorial. MIT
Press, 1996. 1,234 pp

Joel Chadabe. Electric Sound: The Past and Promise of
Electronic Music. Prentice Hall, 1997.370 pp

: Geers, Douglas
: 2001
: Reviews
: Music

21. Daniel Albright. 2014. Panaesthetics: On the Unity and Diversity of the Arts. New Haven and London: Yale University Press.

: Ricketts, Matthew Jonathan
: 2014
: Reviews
: Comparative artsAesthetics, ComparativeArt--AestheticsPan (Greek deity)

22. David Brackett. 2016. Categorizing Sound: Genre and Twentieth-Century Popular Music. Berkeley: University of California Press

: Johnson, Thomas
: 2018
: Reviews
: MusicologyPopular music genresMusic--HistoriographyTwentieth centuryMusic trade

23. David Levin. 2007. Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky. Chicago and London: University of Chicago Press.

: Casadei, Delia
: 2009
: Reviews
: MusicPerforming artsArts

24. David Novak. 2013. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press.

: Molina, Andres Jacobo Garcia
: 2014
: Reviews
: Music--Japanese influencesArt genresNoiseMusic

25. Davies, J.Q. 2014. Romantic Anatomies of Performance. Berkeley: University Of California Press.

: Pierce, J. Mackenzie
: 2014
: Reviews
: Music--PerformanceMusicologyHuman body in music

26. Derek B. Scott, ed. Music, Culture, and Society: A Reader. Oxford University Press, 2000. x, 238 pp.

: Taylor, Timothy D.
: 2000
: Reviews
: Music

27. Does Music Theory Need Musicology?

: Agawu, Kofi
: 1992
: Reviews
: Music

28. Editor's Note

: Fogg, Thomas
: 2013
: Reviews
: Music

29. Eidsheim, Nina Sun. 2015. Sensing Sound: Singing and Listening as Vibrational Practice

: Vágnerová, Lucie
: 2017
: Reviews
: MusicologySenses and sensationListening--Study and teachingMusical textsSinging

30. Elliott Antokoletz. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music.

: Morris, Mitchell
: 1986
: Reviews
: Music

31. Eva Rieger. 2011. Richard Wagner’s Women. Translated by Chris Walton. Laurence Dreyfus. 2010. Wagner and the Erotic Impulse

: Coleman, Jeremy
: 2013
: Reviews
: Music

32. Explorations in Music, The Am, and Ideas: Essays in Honor of Leonard B. Meyer. Edited by Eugene N annour and Ruth A. Solie. Stuyvesant: Pendragon Press, 1988. xiii, 473 pages.

: Marvin, Elizabeth West
: 1992
: Reviews
: Music

33. Far Out: Intentionality and Image Schema in the Reception of Early Works by Ornette Coleman

: Saslaw, Janna K.
: 2000
: Reviews
: Music

34. Fink, Robert, Melinda Latour, and Zachary Wallmark (eds). 2018. The Relentless Pursuit of Tone. New York: Oxford University Press.

: Lavengood, Megan L.
: 2018
: Reviews
: MusicologyTone color (Music)Music--Social aspectsSound recordings--Production and directionMusic and race

35. Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717).;

Susan P. Snook-Luther. The Musical Dilettante: A Treatise on Composition by J. F. Daube.

: Christensen, Thomas
: 1992
: Reviews
: Music

36. Giuseppe Gerbino. 2009. Music and the Myth of Arcadia in Renaissance Italy. New Perspectives in Music History and Criticism. Cambridge and New York: Cambridge University Press.

: Bryant, Brooke
: 2009
: Reviews
: Music

37. Gregory Butler. Bach's Clavier-Ubung III: The Making of a Print. With a Companion Study of the Canonic Variations on "Vom Himmel Hoch," BWV 769.

: Stauffer, George B.
: 1994
: Reviews
: Music

38. Hearing, Remembering, Cold Storage, Purism, Evidence, and Attitude Adjustment

: Dubiel, Joseph
: 1996
: Reviews
: Music

39. Heather Wiebe. 2012. Britten’s Unquiet Pasts: Sound and Memory in Postwar Reconstruction

: Penner, Nina
: 2013
: Reviews
: Music

40. Helbig, Adriana. 2014. Hip Hop Ukraine: Music, Race, and African Migration. Bloomington, IN: Indiana University Press.

: Holt, Kevin C.
: 2014
: Reviews
: Hip-hopAfricans--MigrationsMusic and race

41. Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press.

: Cairns, Elliott S.
: 2011
: Reviews
: Music

42. Iverson, Jennifer. 2018. Electronic Inspirations: Technologies of the Cold-War Musical Avant Garde. New York: Oxford University Press.

: Gordon, Ted
: 2019
: Reviews
: MusicologyElectronic musicCold War (1945-1989)Sound studiosGermans--Music

43. James Buhler, Caryl Flinn, and David Neumeyer, eds. Music and Cinema. Wesleyan University Press, 2000. vi, 397 pp.

: McQuiston, Katherine
: 2000
: Reviews
: Music

44. James Kippen. The Tabla of Lucknow: A cultural analysis of a musical tradition. Cambridge: Cambridge University Press, 1988.

: Manuel, Peter
: 1991
: Reviews
: Music

45. James M. Baker, David W. Beach, and Jonathan Bernard, eds. Music Theory in Concept and Practice. University of Rochester Press, 1997.529 pp

: Nonken, Marilyn
: 1997
: Reviews
: Music

46. James Pritchett. The Music of John Cage. Cambridge: Cambridge University Press, 1993. 223pp.

: Lochhead, Judy
: 1995
: Reviews
: Music

47. Jann Pasler. 2009. Composing the Citizen: Music as Public Utility in Third Republic France. Berkeley and Los Angeles: University of California Press.

: Seto, Mark
: 2009
: Reviews
: Music

48. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany

: Fay, Brendan
: 2013
: Reviews
: Music

49. Kajikawa, Loren. 2015. Sounding Race in Rap Songs. Oakland: University of California Press.

: Tracy McMullen
: 2017
: Reviews
: Rap (Music)Sound recordings--Production and directionMusic--HistoriographyMusicologyMusic and race

50. Karin Bijsterveld and Jose van Dijck, eds. 2009. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press.

: Dayal, Geeta
: 2010
: Reviews
: Music

51. Keith W. Daniel. Francis Poulenc: His Artistic Development and Musical Style (Ann Arbor: UMI Research Press, 1982), 390 pp.

: Meltzer, Howard
: 1983
: Reviews
: Music

52. Kreuzer, Gundula. 2018. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, CA: University of California Press.

: Rothe, Alexander Karl
: 2018
: Reviews
: MusicologyOperaMass media--Study and teachingTheater--Production and directionTechnology and the artsWagner, Richard, 1813-1883

53. Leoš Janáček. Kritische Gesamtausgabe, Reihe C, Band 1: Männerchöre I. Herausgaben von Leoš Faltus, Petr Oliva. Prague: Supraphon, and Kassel: Bärenreiter, 1983

: Beckerman, Michael
: 1984
: Reviews
: Music

54. Leonard Meyer. Style and Music: Theory, History and Ideology. Philadelphia: University of Pennsylvania Press, 1989. xi, 376 pages. Studies in the Criticism and Theory of Music.

: Kivy, Peter
: 1992
: Reviews
: Music

55. Levon Hakobian. Music of the Soviet Age.; Allan B. Ho and Dmitry Feofanov, eds. Shostakovich Reconsidered.; David Haas. Leningrad's Modernists: Studies in Composition and Musical Thought.

: Blum, Stephen
: 1998
: Reviews
: Music

56. Luigi Boccherini and the Court of Prussia

: Parker, Mara
: 1992
: Reviews
: Music

57. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris.

: Fuller, Sarah
: 1995
: Reviews
: Music

58. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris.Cambridge: Cambridge University Press, 1993. xxi, 487 pp.

: Fuller, Sarah
: 1995
: Reviews
: Music

59. Marie Sumner Lott. 2015. The Social Worlds of Nineteenth-Century Chamber Music

: Ivanova, Velia
: 2017
: Reviews
: Nineteenth centuryChamber musicLeisure--Social aspectsMiddle class--Social life and customsMusic--Social aspects

60. Mark DeBellis. Music and Conceptualization
"Hearing is Believing?"

: London, Justin
: 1996
: Reviews
: Music

61. Martha Bayles. Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music

: Thompson, Daniel N.
: 1997
: Reviews
: Music

62. Mary Hunter. The Culture of Opera Buffa in Mozart's Vienna: A Poetics of Entertainment.

: Monson, Dale E.
: 2000
: Reviews
: Music

63. Mary I. Ingraham, Joseph K. So, and Roy Moodley, eds. 2016. Opera in a Multicultural World: Coloniality, Culture, Performance. New York: Routledge

: Forner, Jane
: 2018
: Reviews
: MusicologyOpera--Social aspectsMusic--Effect of multiculturalism onMusic and raceOperas--Performances

64. Meintjes, Louise. 2003. Sound of Africa!: Making Music Zulu in a South African Studio.

: Pyper, Brett
: 2003
: Reviews
: MusicZulu (African people)--MusicZulu (African people)--Ethnic identityApartheid

65. Metal in Three Modes of Enmity: Political, Musical, Cosmic

: Forshaw, Juliet Eleanor
: 2011
: Reviews
: Music

66. Morgan, Robert P. 2014. Becoming Heinrich Schenker: Music Theory and Ideology. New York: Cambridge University Press.

: Parkhurst, Bryan
: 2014
: Reviews
: Music theorySchenkerian analysisIdeologyMorgan, Robert P.Schenker, Heinrich, 1868-1935

67. Nicholas Cook. Music, lmagination, and Culture. Oxford: Oxford University Press / Clarendon Press, 1990.265 pp.

: Kramer, Lawrence
: 1992
: Reviews
: Music

68. Other Planes of There: Critical Notice of Graham Lock's Blutopia

: Anderson, Paul Allen
: 2002
: Reviews
: Music

69. Paul Theberge. Any Sound You Can Imagine: Making Music/Consuming Technology. Hanover: Wesleyan University Press, 1997. xx, 293 pp.

: Fikentscher, Kai
: 1997
: Reviews
: Music

70. Peter Wade. Music, Race, and Nation: Musica Tropical
in Colombia

: Sturman, Janet L.
: 2000
: Reviews
: MusicLatin Americans

71. Phil Pastras. Dead Man Blues: Jelly Roll Morton Way Out West. Berkeley: University of California Press, 2001. xx, 246 pp.

: Ogren, Kathy J.
: 2002
: Reviews
: MusicBiography

72. Pierrepont, Alexandre. 2015. La Nuée. L’AACM: Un Jeu de Société Musicale. Marseille: Éditions Parenthèses.

: Citton, Yves
: 2017
: Reviews
: Musical analysisPhilosophy, FrenchAfrican Americans--MusicMusicologyMusic--Social aspectsAssociation for the Advancement of Creative Musicians

73. Ralph Locke. 2009. Musical Exoticism: Images and Reflections. Cambridge and New York: Cambridge University Press.

: Riggs, Kristy
: 2009
: Reviews
: MusicAesthetics

74. Raymond Monelle. 2006. The Musical Topic: Hunt, Military, and Pastoral. Bloomington and Indianapolis: Indiana University Press.

: Haringer, Andrew
: 2010
: Reviews
: Music

75. Review Essay: Lullaby for Broadway?

: Frisch, Walter M.
: 2006
: Reviews
: Music

76. Review: Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717) and The Musical Dilettante: A Treatise on Composition by J. F. Daube.

: Christensen, Thomas
: 1995
: Reviews
: Music

77. Review of Alejandro L. Madrid. 2008. Nor-tec Rifal: Electronic Dance Music from Tijuana to the World. Oxford: Oxford University Press.

: Mueller, Gavin
: 2010
: Reviews
: MusicDance

78. Review of Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought. New York and Cambridge: CambrIdge University Press, 2003.

: Kim, Youn
: 2003
: Reviews
: Music

79. Review of Alyn Shipton. A New History of Jazz. London and New York: Continuum, 2001. x, 965 pp.

: Tirro, Frank
: 2002
: Reviews
: Music

80. Review of Amy C. Beal. 2006. New Music, New allies: American Experimental Music in West German from the Zero Hour of Reunification. Berkeley and Lost Angeles: University of California Press.

: Silverberg, Laura
: 2008
: Reviews
: Music

81. Review of Andy Hamilton. 2007. Aesthetics and Music. London and New York: Continuum.

: Kane, Brian
: 2008
: Reviews
: Music

82. Review of "Apocalypse Jukebox: The End of the World in American Popular Music" by David Janssen and Edward Whitelock

: Gutkin, David Jonas
: 2011
: Reviews
: Music

83. Review of Barbara Lorenzkowski. 2010. Sounds of Ethnicity. Listening to German North America 1850–1914. Winnipeg:University of Manitoba Press

: Feiereisen, Florence
: 2012
: Reviews
: Music

84. Review of Bennet Zon. 2007. Representing Non-Western Music in Nineteenth-Century Britain. Rochester, NY: University of Rochester Press

: Revuluri, Sindhumathi
: 2009
: Reviews
: Music

85. Review of Brandon LaBelle. 2010. Acoustic Territories: Sound Culture and Everyday Life. New York and London: Continuum

: Fischbeck, Luke
: 2010
: Reviews
: Music

86. Review of Brooks, Tim. 2004. Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919. Urbana and Chicago: University of Illinois Press.

: Graham, Sandra Jean
: 2006
: Reviews
: Music

87. Review of Caroline Bithell. 2007. Transported by Song: Corsican Voices from Oral Tradition to World Stage, Europea: Ethnomusicologies and Modernities, no. 5.

: Rosenberg, Ruth Emily
: 2008
: Reviews
: Music

88. Review of Christina Bashford. 2007. The Pursuit of High Culture: John Ella and Chamber Music in Victorian London. Woodbridge, UK: Boydell

: Solie, Ruth A.
: 2009
: Reviews
: Music

89. Review of Clarke, Eric and Nicholas Cook, eds. 2004. Empirical Musicology: Methods, Aims, Prospects. Oxford and New York: Oxford University Press.

: Devaney, Johanna
: 2005
: Reviews
: Music

90. Review of David Charlton. French Opera 1730-1830: Meaning and Media. Aldershot, Hampshire (U.K.), and Brookfield, Vt.: Ashgate, 2000. xii, 374 pp.

: Rushton, Julian
: 2002
: Reviews
: Music

91. Review of David Ferris. Schumann's Eichendorff"Liederkreis" and the Genre of the Romantic Cycle. Oxford and New York: Oxford University Press, 2000. vii, 270 pp.

: Kramer, Richard
: 2002
: Reviews
: Music

92. Review of Dell'Antonio, Andrew, ed. 2004. Beyond Structural Listening? Postmodern Modes of Hearing. Berkeley and Los Angeles: University of California Press.

: Horton, Julian
: 2004
: Reviews
: Music

93. Review of DeNora, Tia. 2003. After Adorno: Rethinking Music Sociology. Cambridge and New York: Cambridge University Press.

: Roy, William G.
: 2006
: Reviews
: Music

94. Review of Eileen M. Hayes. 2010. Songs in Black and Lavender: Race, Sexual Politics, and Women's Music. Urbana and Chicago: University of Illinois Press.

: Burrell, Jalylah
: 2010
: Reviews
: MusicWomen's studiesAfrican Americans

95. Review of Eric Chafe. Analyzing Bach Cantatas. Oxford University Press, 2000. xvii, 286 pp.

: Ito, John
: 2000
: Reviews
: Music

96. Review of Eric Porter. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. Berkeley: University of California Press, 2002. XXI, 404 pp.

: Gabbard, Krin
: 2002
: Reviews
: Music

97. Review of E. Taylor Atkins. Blue Nippon: Authenticating Jazz in Japan. Durham, N.C.: Duke University Press, 2001. xiv, 366 pp.

: Condry, Ian
: 2002
: Reviews
: Music

98. Review of Evan Jones, ed., Intimate Voices: The Twentieth CenturyString Quartet (Rochester University Press, 2009)

: Kozak, Mariusz S.
: 2012
: Reviews
: Music

99. Review of "Experimentalism Otherwise: The New York Avant-Garde and Its Limits" by Benjamin Piekut

: Fogg, Thomas
: 2011
: Reviews
: JazzAvant-garde (Music)EthnomusicologyMusic

100. Review of Fabian Holt. 2007. Genre in Popular Music. Chicago and London: University of Chicago Press.

: Keenan, Elizabeth K.
: 2008
: Reviews
: Music

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1. Aesthetics and Ideology in the Fin-de-Siecle Mozart Revival

2. Aesthetics, Authenticities, and Appeals to Authority: The Auditor as Author

3. Alain Frogley, ed. Vaughan Williams Studies.

4. Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press.

5. Andrew F. Jones. Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age. Durham, N.C.: Duke University Press, 2001. xi, 213 pp.

6. Andrew Mead. An Introduction to the Music of Milton Babbitt

7. Andrey Smirnov. 2013. Sound in Z: Experiments in Sound and Electronic Music in Early 20th-Century Russia

8. Anna Maria Busse Berger. Mensuration and Proportion Signs: Origins and Evolution. Clarendon Press, 1993. xiii, 271 pp.

9. An Unpublished Cadenza By Gounod For Mozart's Piano Concerto KV 491

10. Arnold Schoenberg. The Musical Idea and the Logic, Technique, and Art of Its Presentation. Edited, translated, and with a commentary by Patricia Carpenter and Severine Neff

11. A Welsh Collection of Mendelssohniana: Letters at Aberystwyth

12. Being Home: Jazz Authority and the Politics of Place

13. Beyond Duality: Stasis, Silence, and Vertical Listening

14. Bryan R. Simms. The Atonal Music of Arnold Schoenberg,1908-1923. Oxford University Press, 2000. ix, 265 pp.

15. Carol Vernallis. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press. Reviewed

16. Charles M. Joseph. 2011. Stravinsky’s Ballets

17. Chávez, Alex E. 2017. Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño. Durham, NC: Duke University Press

18. Coelho, Victor and Keith Polk. 2016. Instrumentalists and Renaissance Culture, 1420-1600: Players of Function and Fantasy. Cambridge: Cambridge University Press.

19. Critical Perception and the Woman Composer: The Early Reception of Piano Concertos by Clara Wieck Schumann and Amy Beach

20. Curtis Roads, ed. The Computer Music Tutorial. MITPress, 1996. 1,234 pp Joel Chadabe. Electric Sound: The Past and Promise ofElectronic Music. Prentice Hall, 1997.370 pp

21. Daniel Albright. 2014. Panaesthetics: On the Unity and Diversity of the Arts. New Haven and London: Yale University Press.

22. David Brackett. 2016. Categorizing Sound: Genre and Twentieth-Century Popular Music. Berkeley: University of California Press

23. David Levin. 2007. Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky. Chicago and London: University of Chicago Press.

24. David Novak. 2013. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press.

25. Davies, J.Q. 2014. Romantic Anatomies of Performance. Berkeley: University Of California Press.

26. Derek B. Scott, ed. Music, Culture, and Society: A Reader. Oxford University Press, 2000. x, 238 pp.

27. Does Music Theory Need Musicology?

28. Editor's Note

29. Eidsheim, Nina Sun. 2015. Sensing Sound: Singing and Listening as Vibrational Practice

30. Elliott Antokoletz. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music.

31. Eva Rieger. 2011. Richard Wagner’s Women. Translated by Chris Walton. Laurence Dreyfus. 2010. Wagner and the Erotic Impulse

32. Explorations in Music, The Am, and Ideas: Essays in Honor of Leonard B. Meyer. Edited by Eugene N annour and Ruth A. Solie. Stuyvesant: Pendragon Press, 1988. xiii, 473 pages.

33. Far Out: Intentionality and Image Schema in the Reception of Early Works by Ornette Coleman

34. Fink, Robert, Melinda Latour, and Zachary Wallmark (eds). 2018. The Relentless Pursuit of Tone. New York: Oxford University Press.

35. Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717).;Susan P. Snook-Luther. The Musical Dilettante: A Treatise on Composition by J. F. Daube.

36. Giuseppe Gerbino. 2009. Music and the Myth of Arcadia in Renaissance Italy. New Perspectives in Music History and Criticism. Cambridge and New York: Cambridge University Press.

37. Gregory Butler. Bach's Clavier-Ubung III: The Making of a Print. With a Companion Study of the Canonic Variations on "Vom Himmel Hoch," BWV 769.

38. Hearing, Remembering, Cold Storage, Purism, Evidence, and Attitude Adjustment

39. Heather Wiebe. 2012. Britten’s Unquiet Pasts: Sound and Memory in Postwar Reconstruction

40. Helbig, Adriana. 2014. Hip Hop Ukraine: Music, Race, and African Migration. Bloomington, IN: Indiana University Press.

41. Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press.

42. Iverson, Jennifer. 2018. Electronic Inspirations: Technologies of the Cold-War Musical Avant Garde. New York: Oxford University Press.

43. James Buhler, Caryl Flinn, and David Neumeyer, eds. Music and Cinema. Wesleyan University Press, 2000. vi, 397 pp.

44. James Kippen. The Tabla of Lucknow: A cultural analysis of a musical tradition. Cambridge: Cambridge University Press, 1988.

45. James M. Baker, David W. Beach, and Jonathan Bernard, eds. Music Theory in Concept and Practice. University of Rochester Press, 1997.529 pp

46. James Pritchett. The Music of John Cage. Cambridge: Cambridge University Press, 1993. 223pp.

47. Jann Pasler. 2009. Composing the Citizen: Music as Public Utility in Third Republic France. Berkeley and Los Angeles: University of California Press.

48. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany

49. Kajikawa, Loren. 2015. Sounding Race in Rap Songs. Oakland: University of California Press.

50. Karin Bijsterveld and Jose van Dijck, eds. 2009. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press.

51. Keith W. Daniel. Francis Poulenc: His Artistic Development and Musical Style (Ann Arbor: UMI Research Press, 1982), 390 pp.

52. Kreuzer, Gundula. 2018. Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera. Oakland, CA: University of California Press.

53. Leoš Janáček. Kritische Gesamtausgabe, Reihe C, Band 1: Männerchöre I. Herausgaben von Leoš Faltus, Petr Oliva. Prague: Supraphon, and Kassel: Bärenreiter, 1983

54. Leonard Meyer. Style and Music: Theory, History and Ideology. Philadelphia: University of Pennsylvania Press, 1989. xi, 376 pages. Studies in the Criticism and Theory of Music.

55. Levon Hakobian. Music of the Soviet Age.; Allan B. Ho and Dmitry Feofanov, eds. Shostakovich Reconsidered.; David Haas. Leningrad's Modernists: Studies in Composition and Musical Thought.

56. Luigi Boccherini and the Court of Prussia

57. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris.

58. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris.Cambridge: Cambridge University Press, 1993. xxi, 487 pp.

59. Marie Sumner Lott. 2015. The Social Worlds of Nineteenth-Century Chamber Music

60. Mark DeBellis. Music and Conceptualization"Hearing is Believing?"

61. Martha Bayles. Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music

62. Mary Hunter. The Culture of Opera Buffa in Mozart's Vienna: A Poetics of Entertainment.

63. Mary I. Ingraham, Joseph K. So, and Roy Moodley, eds. 2016. Opera in a Multicultural World: Coloniality, Culture, Performance. New York: Routledge

64. Meintjes, Louise. 2003. Sound of Africa!: Making Music Zulu in a South African Studio.

65. Metal in Three Modes of Enmity: Political, Musical, Cosmic

66. Morgan, Robert P. 2014. Becoming Heinrich Schenker: Music Theory and Ideology. New York: Cambridge University Press.

67. Nicholas Cook. Music, lmagination, and Culture. Oxford: Oxford University Press / Clarendon Press, 1990.265 pp.

68. Other Planes of There: Critical Notice of Graham Lock's Blutopia

69. Paul Theberge. Any Sound You Can Imagine: Making Music/Consuming Technology. Hanover: Wesleyan University Press, 1997. xx, 293 pp.

14. Bryan R. Simms. The Atonal Music of Arnold Schoenberg,
1908-1923. Oxford University Press, 2000. ix, 265 pp.

20. Curtis Roads, ed. The Computer Music Tutorial. MIT
Press, 1996. 1,234 pp

Joel Chadabe. Electric Sound: The Past and Promise of
Electronic Music. Prentice Hall, 1997.370 pp

35. Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717).;

Susan P. Snook-Luther. The Musical Dilettante: A Treatise on Composition by J. F. Daube.

60. Mark DeBellis. Music and Conceptualization
"Hearing is Believing?"

70. Peter Wade. Music, Race, and Nation: Musica Tropical
in Colombia