Academic Unit: Music / Type: Reviews / Language: English / Subject: Music | Search Results

1. Aesthetics and Ideology in the Fin-de-Siecle Mozart Revival

: Botstein, Leon
: 1993
: Reviews
: Music

2. Aesthetics, Authenticities, and Appeals to Authority: The Auditor as Author

: Thompson, Daniel N.
: 1998
: Reviews
: Music

3. Alain Frogley, ed. Vaughan Williams Studies.

: Macan, Edward
: 1997
: Reviews
: Music

4. Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press.

: Kim, Ji Young
: 2011
: Reviews
: Music

5. Andrew F. Jones. Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age. Durham, N.C.: Duke University Press, 2001. xi, 213 pp.

: Wilson, Dale
: 2002
: Reviews
: MusicAsians

6. Andrew Mead. An Introduction to the Music of Milton Babbitt

: Eckardt, Jason
: 1997
: Reviews
: Music

7. Anna Maria Busse Berger. Mensuration and Proportion Signs: Origins and Evolution. Clarendon Press, 1993. xiii, 271 pp.

: Stone, Anne J.
: 1994
: Reviews
: Music

8. An Unpublished Cadenza By Gounod For Mozart's Piano Concerto KV 491

: Mueter, John A.
: 1982
: Reviews
: Music

9. Arnold Schoenberg. The Musical Idea and the Logic, Technique, and Art of Its Presentation. Edited, translated, and with a commentary by Patricia Carpenter and Severine Neff

: Dineen, Murray
: 2001
: Reviews
: Music

10. A Welsh Collection of Mendelssohniana: Letters at Aberystwyth

: Evans, David R. A.; Todd, R. Larry; Olson, Judith E.
: 1998
: Reviews
: Music

11. Being Home: Jazz Authority and the Politics of Place

: Iyer, Vijay
: 2002
: Reviews
: Music

12. Beyond Duality: Stasis, Silence, and Vertical Listening

: Thompson, Daniel N.
: 1999
: Reviews
: MusicLiterature

13. Bryan R. Simms. The Atonal Music of Arnold Schoenberg,
1908-1923. Oxford University Press, 2000. ix, 265 pp.

: Haimo, Ethan
: 2000
: Reviews
: Music

14. Carol Vernallis. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press. Reviewed

: Harper, Paula Clare
: 2014
: Reviews
: TechnologyMusic videosDigital mediaMusic

15. Charles M. Joseph. 2011. Stravinsky’s Ballets

: Sterbenz, Maeve
: 2013
: Reviews
: Music

16. Critical Perception and the Woman Composer: The Early Reception of Piano Concertos by Clara Wieck Schumann and Amy Beach

: Macdonald, Claudia
: 1993
: Reviews
: Music

17. Curtis Roads, ed. The Computer Music Tutorial. MIT
Press, 1996. 1,234 pp

Joel Chadabe. Electric Sound: The Past and Promise of
Electronic Music. Prentice Hall, 1997.370 pp

: Geers, Douglas
: 2001
: Reviews
: Music

18. David Levin. 2007. Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky. Chicago and London: University of Chicago Press.

: Casadei, Delia
: 2009
: Reviews
: MusicPerforming artsArts

19. David Novak. 2013. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press.

: Molina, Andres Jacobo Garcia
: 2014
: Reviews
: Music--Japanese influencesArt genresNoiseMusic

20. Derek B. Scott, ed. Music, Culture, and Society: A Reader. Oxford University Press, 2000. x, 238 pp.

: Taylor, Timothy D.
: 2000
: Reviews
: Music

21. Does Music Theory Need Musicology?

: Agawu, Kofi
: 1992
: Reviews
: Music

22. Editor's Note

: Fogg, Thomas
: 2013
: Reviews
: Music

23. Elliott Antokoletz. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music.

: Morris, Mitchell
: 1986
: Reviews
: Music

24. Eva Rieger. 2011. Richard Wagner’s Women. Translated by Chris Walton. Laurence Dreyfus. 2010. Wagner and the Erotic Impulse

: Coleman, Jeremy
: 2013
: Reviews
: Music

25. Explorations in Music, The Am, and Ideas: Essays in Honor of Leonard B. Meyer. Edited by Eugene N annour and Ruth A. Solie. Stuyvesant: Pendragon Press, 1988. xiii, 473 pages.

: Marvin, Elizabeth West
: 1992
: Reviews
: Music

26. Far Out: Intentionality and Image Schema in the Reception of Early Works by Ornette Coleman

: Saslaw, Janna K.
: 2000
: Reviews
: Music

27. Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717).;

Susan P. Snook-Luther. The Musical Dilettante: A Treatise on Composition by J. F. Daube.

: Christensen, Thomas
: 1992
: Reviews
: Music

28. Giuseppe Gerbino. 2009. Music and the Myth of Arcadia in Renaissance Italy. New Perspectives in Music History and Criticism. Cambridge and New York: Cambridge University Press.

: Bryant, Brooke
: 2009
: Reviews
: Music

29. Gregory Butler. Bach's Clavier-Ubung III: The Making of a Print. With a Companion Study of the Canonic Variations on "Vom Himmel Hoch," BWV 769.

: Stauffer, George B.
: 1994
: Reviews
: Music

30. Hearing, Remembering, Cold Storage, Purism, Evidence, and Attitude Adjustment

: Dubiel, Joseph
: 1996
: Reviews
: Music

31. Heather Wiebe. 2012. Britten’s Unquiet Pasts: Sound and Memory in Postwar Reconstruction

: Penner, Nina
: 2013
: Reviews
: Music

32. Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press.

: Cairns, Elliott S.
: 2011
: Reviews
: Music

33. James Buhler, Caryl Flinn, and David Neumeyer, eds. Music and Cinema. Wesleyan University Press, 2000. vi, 397 pp.

: McQuiston, Katherine
: 2000
: Reviews
: Music

34. James Kippen. The Tabla of Lucknow: A cultural analysis of a musical tradition. Cambridge: Cambridge University Press, 1988.

: Manuel, Peter
: 1991
: Reviews
: Music

35. James M. Baker, David W. Beach, and Jonathan Bernard, eds. Music Theory in Concept and Practice. University of Rochester Press, 1997.529 pp

: Nonken, Marilyn
: 1997
: Reviews
: Music

36. James Pritchett. The Music of John Cage. Cambridge: Cambridge University Press, 1993. 223pp.

: Lochhead, Judy
: 1995
: Reviews
: Music

37. Jann Pasler. 2009. Composing the Citizen: Music as Public Utility in Third Republic France. Berkeley and Los Angeles: University of California Press.

: Seto, Mark
: 2009
: Reviews
: Music

38. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany

: Fay, Brendan
: 2013
: Reviews
: Music

39. Karin Bijsterveld and Jose van Dijck, eds. 2009. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press.

: Dayal, Geeta
: 2010
: Reviews
: Music

40. Keith W. Daniel. Francis Poulenc: His Artistic Development and Musical Style (Ann Arbor: UMI Research Press, 1982), 390 pp.

: Meltzer, Howard
: 1983
: Reviews
: Music

41. Leoš Janáček. Kritische Gesamtausgabe, Reihe C, Band 1: Männerchöre I. Herausgaben von Leoš Faltus, Petr Oliva. Prague: Supraphon, and Kassel: Bärenreiter, 1983

: Beckerman, Michael
: 1984
: Reviews
: Music

42. Leonard Meyer. Style and Music: Theory, History and Ideology. Philadelphia: University of Pennsylvania Press, 1989. xi, 376 pages. Studies in the Criticism and Theory of Music.

: Kivy, Peter
: 1992
: Reviews
: Music

43. Levon Hakobian. Music of the Soviet Age.; Allan B. Ho and Dmitry Feofanov, eds. Shostakovich Reconsidered.; David Haas. Leningrad's Modernists: Studies in Composition and Musical Thought.

: Blum, Stephen
: 1998
: Reviews
: Music

44. Luigi Boccherini and the Court of Prussia

: Parker, Mara
: 1992
: Reviews
: Music

45. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris.

: Fuller, Sarah
: 1995
: Reviews
: Music

46. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris.Cambridge: Cambridge University Press, 1993. xxi, 487 pp.

: Fuller, Sarah
: 1995
: Reviews
: Music

47. Mark DeBellis. Music and Conceptualization
"Hearing is Believing?"

: London, Justin
: 1996
: Reviews
: Music

48. Martha Bayles. Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music

: Thompson, Daniel N.
: 1997
: Reviews
: Music

49. Mary Hunter. The Culture of Opera Buffa in Mozart's Vienna: A Poetics of Entertainment.

: Monson, Dale E.
: 2000
: Reviews
: Music

50. Meintjes, Louise. 2003. Sound of Africa!: Making Music Zulu in a South African Studio.

: Pyper, Brett
: 2003
: Reviews
: MusicZulu (African people)--MusicZulu (African people)--Ethnic identityApartheid

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1. Aesthetics and Ideology in the Fin-de-Siecle Mozart Revival

2. Aesthetics, Authenticities, and Appeals to Authority: The Auditor as Author

3. Alain Frogley, ed. Vaughan Williams Studies.

4. Alexander Rehding. 2009. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford and New York: Oxford University Press.

5. Andrew F. Jones. Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age. Durham, N.C.: Duke University Press, 2001. xi, 213 pp.

6. Andrew Mead. An Introduction to the Music of Milton Babbitt

7. Anna Maria Busse Berger. Mensuration and Proportion Signs: Origins and Evolution. Clarendon Press, 1993. xiii, 271 pp.

8. An Unpublished Cadenza By Gounod For Mozart's Piano Concerto KV 491

9. Arnold Schoenberg. The Musical Idea and the Logic, Technique, and Art of Its Presentation. Edited, translated, and with a commentary by Patricia Carpenter and Severine Neff

10. A Welsh Collection of Mendelssohniana: Letters at Aberystwyth

11. Being Home: Jazz Authority and the Politics of Place

12. Beyond Duality: Stasis, Silence, and Vertical Listening

13. Bryan R. Simms. The Atonal Music of Arnold Schoenberg,1908-1923. Oxford University Press, 2000. ix, 265 pp.

14. Carol Vernallis. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press. Reviewed

15. Charles M. Joseph. 2011. Stravinsky’s Ballets

16. Critical Perception and the Woman Composer: The Early Reception of Piano Concertos by Clara Wieck Schumann and Amy Beach

17. Curtis Roads, ed. The Computer Music Tutorial. MITPress, 1996. 1,234 pp Joel Chadabe. Electric Sound: The Past and Promise ofElectronic Music. Prentice Hall, 1997.370 pp

18. David Levin. 2007. Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky. Chicago and London: University of Chicago Press.

19. David Novak. 2013. Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press.

20. Derek B. Scott, ed. Music, Culture, and Society: A Reader. Oxford University Press, 2000. x, 238 pp.

21. Does Music Theory Need Musicology?

22. Editor's Note

23. Elliott Antokoletz. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music.

24. Eva Rieger. 2011. Richard Wagner’s Women. Translated by Chris Walton. Laurence Dreyfus. 2010. Wagner and the Erotic Impulse

25. Explorations in Music, The Am, and Ideas: Essays in Honor of Leonard B. Meyer. Edited by Eugene N annour and Ruth A. Solie. Stuyvesant: Pendragon Press, 1988. xiii, 473 pages.

26. Far Out: Intentionality and Image Schema in the Reception of Early Works by Ornette Coleman

27. Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717).;Susan P. Snook-Luther. The Musical Dilettante: A Treatise on Composition by J. F. Daube.

28. Giuseppe Gerbino. 2009. Music and the Myth of Arcadia in Renaissance Italy. New Perspectives in Music History and Criticism. Cambridge and New York: Cambridge University Press.

29. Gregory Butler. Bach's Clavier-Ubung III: The Making of a Print. With a Companion Study of the Canonic Variations on "Vom Himmel Hoch," BWV 769.

30. Hearing, Remembering, Cold Storage, Purism, Evidence, and Attitude Adjustment

31. Heather Wiebe. 2012. Britten’s Unquiet Pasts: Sound and Memory in Postwar Reconstruction

32. Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press.

33. James Buhler, Caryl Flinn, and David Neumeyer, eds. Music and Cinema. Wesleyan University Press, 2000. vi, 397 pp.

34. James Kippen. The Tabla of Lucknow: A cultural analysis of a musical tradition. Cambridge: Cambridge University Press, 1988.

35. James M. Baker, David W. Beach, and Jonathan Bernard, eds. Music Theory in Concept and Practice. University of Rochester Press, 1997.529 pp

36. James Pritchett. The Music of John Cage. Cambridge: Cambridge University Press, 1993. 223pp.

37. Jann Pasler. 2009. Composing the Citizen: Music as Public Utility in Third Republic France. Berkeley and Los Angeles: University of California Press.

38. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany

39. Karin Bijsterveld and Jose van Dijck, eds. 2009. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press.

40. Keith W. Daniel. Francis Poulenc: His Artistic Development and Musical Style (Ann Arbor: UMI Research Press, 1982), 390 pp.

41. Leoš Janáček. Kritische Gesamtausgabe, Reihe C, Band 1: Männerchöre I. Herausgaben von Leoš Faltus, Petr Oliva. Prague: Supraphon, and Kassel: Bärenreiter, 1983

42. Leonard Meyer. Style and Music: Theory, History and Ideology. Philadelphia: University of Pennsylvania Press, 1989. xi, 376 pages. Studies in the Criticism and Theory of Music.

43. Levon Hakobian. Music of the Soviet Age.; Allan B. Ho and Dmitry Feofanov, eds. Shostakovich Reconsidered.; David Haas. Leningrad's Modernists: Studies in Composition and Musical Thought.

44. Luigi Boccherini and the Court of Prussia

45. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris.

46. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris.Cambridge: Cambridge University Press, 1993. xxi, 487 pp.

47. Mark DeBellis. Music and Conceptualization"Hearing is Believing?"

48. Martha Bayles. Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music

49. Mary Hunter. The Culture of Opera Buffa in Mozart's Vienna: A Poetics of Entertainment.

50. Meintjes, Louise. 2003. Sound of Africa!: Making Music Zulu in a South African Studio.

13. Bryan R. Simms. The Atonal Music of Arnold Schoenberg,
1908-1923. Oxford University Press, 2000. ix, 265 pp.

17. Curtis Roads, ed. The Computer Music Tutorial. MIT
Press, 1996. 1,234 pp

Joel Chadabe. Electric Sound: The Past and Promise of
Electronic Music. Prentice Hall, 1997.370 pp

27. Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717).;

Susan P. Snook-Luther. The Musical Dilettante: A Treatise on Composition by J. F. Daube.

47. Mark DeBellis. Music and Conceptualization
"Hearing is Believing?"