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2. Margot Fassler. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris.
3. Review: Friederich Erhardt Niedt. The Musical Guide: Parts 1 (1700/10), 2 (1721), and 3 (1717) and The Musical Dilettante: A Treatise on Composition by J. F. Daube.
4. Stephen Walsh. Stravinsky: Oedipus Rex. Cambridge: Cambridge University Press, 1993. 118pp.
5. William Weber, The Rise of Musical Classics in Eighteenth- Century England: A Study in Canon, Ritual and Ideology. Oxford; Clarendon Press, 1992. 174 pp.
6. Hearing, Remembering, Cold Storage, Purism, Evidence, and Attitude Adjustment
7.
Mark DeBellis. Music and Conceptualization
"Hearing is Believing?"
8.
Robert Samuels. Mahler's Sixth Symphony: A Study in Musical Semiotics
Semiotics and Mahler's Sixth Symphony: The Suicide of Music Analysis?
9. Robert S. Hatten. Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation
10. Ruth Smith, Handel's Oratorios and Eighteenth-Century Thought
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