31. Heather Wiebe. 2012. Britten’s Unquiet Pasts: Sound and Memory in Postwar Reconstruction Penner, Nina 2013 Reviews Music
32. Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press. Cairns, Elliott S. 2011 Reviews Music
33. James Buhler, Caryl Flinn, and David Neumeyer, eds. Music and Cinema. Wesleyan University Press, 2000. vi, 397 pp. McQuiston, Katherine 2000 Reviews Music
34. James Kippen. The Tabla of Lucknow: A cultural analysis of a musical tradition. Cambridge: Cambridge University Press, 1988. Manuel, Peter 1991 Reviews Music
35. James M. Baker, David W. Beach, and Jonathan Bernard, eds. Music Theory in Concept and Practice. University of Rochester Press, 1997.529 pp Nonken, Marilyn 1997 Reviews Music
36. James Pritchett. The Music of John Cage. Cambridge: Cambridge University Press, 1993. 223pp. Lochhead, Judy 1995 Reviews Music
37. Jann Pasler. 2009. Composing the Citizen: Music as Public Utility in Third Republic France. Berkeley and Los Angeles: University of California Press. Seto, Mark 2009 Reviews Music
38. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany Fay, Brendan 2013 Reviews Music
39. Karin Bijsterveld and Jose van Dijck, eds. 2009. Sound Souvenirs: Audio Technologies, Memory and Cultural Practices. Amsterdam: Amsterdam University Press. Dayal, Geeta 2010 Reviews Music
40. Keith W. Daniel. Francis Poulenc: His Artistic Development and Musical Style (Ann Arbor: UMI Research Press, 1982), 390 pp. Meltzer, Howard 1983 Reviews Music