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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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102. Music Smashed to Pieces: The Destructive Logic of Berlioz's Romeo au tombeau
103. Music of the Gods: Solo Song and effetti meravigliosi in the Interludes for La pellegrina
104. Music for the Last Supper: The Dramatic Significance of Mozart's Musical Quotations in the Tafelmusik of Don Giovanni
105. Music and Queered Temporality in Slave Play
106. Music and Jugendstil
107. Music Analysis and the Social Life of Jazz Recordings
108. Musical Style and Experience in a Brooklyn Pentecostal Church: An "Insider's" Perspective
109. Musical Platonism in Modern Culture
110. Musical Pasts and Postmodern Musicologies: A Response to Lawrence Kramer
111. Musical Meaning for the Few: Instances of Private Reception in the Music of Brahms
112. Musical Literacy and Jazz Musicians in the 1910's and 1920's
113. Musical and Intellectual Values: Interpreting the History of Tonal Theory
114. Milton Babbitt’s Glosses on American Jewish Identity
115. middle/ground
116. Meter and Word Setting: Revising Machaut's Monophonic Virelais
117. Memoirs of a Musical Object, Supposedly Written by Itself: It–Narrative and Eighteenth– Century Marketing
118. Melodrama as a Compositional Resource in Early Hollywood Sound Cinema
119. Medievalism and Exoticism in the Music of Dead Can Dance
120. Material Matters
121.
Martin Ruhnke, ed. Georg Philipp Telemann: Thematisch-Systematisches Verzeichnis seiner Werke:
Telemann-Werkverzeichnis: Instrumental Werke 2.
122. Mark Tucker (1954-2000)
123. Listening in Poppies
124. Listening and Composing
125. Listeners’ Bodies in Music Analysis: Gestures, Motor Intentionality, and Models
126. Lieder, Listeners, and Ideology: Schubert's "Alinde" and Opus 81
127. Licia’s Lectures on Nothing
128. "Lenin in Swaddling Clothes": A Critique of the Ideological Conflict Between Socialist State Policy and Christian Music in Cold War Romania
129. Leaving the Ivory Tower
130. Latin Jazz: The Other Jazz
131. Kundry and the Jewish Voice: Anti-antisemitism and Musical Transcendence in Wagner's Parsifal
132. Kofi Agawu. African Rhythm: A Northern Ewe Perspective. Cambridge: Cambridge University Press, 1995. xx, 217 pp., 19 plates; compact disc.
133. "King Porter Stomp" and the Jazz Tradition
134. Key Structure and Tonal Allegory in the Passions of J. S. Bach: An Introduction
135. Julius Eastman: The Sonority of Blackness Otherwise
136. Janáček's Chronoscope
137. “It’s Awfully Important to Listen”: Ella Jenkins and Musical Multiculturalism
138. Introduction: The Ingredients of a Masterpiece
139. Interpreting Discontinuity in the Late Works of Debussy
140. In Memory, Theory: Concluding Unscientific Postludes
141. In Defense of Close Reading and Close Listening
142. Improvising Compose Yourself
143. Images of Time and Timelessness: A Musical Reading of Death in Venice
144. Igor’s Goriest Tune and selected text pieces
145. I Am/Was the Walrus
146. Horses For Discourses?: The Transition from Oral to Broadside Narrative in “Skewball”
147. Heuristic and supervised approaches to handwritten annotation extraction for musical score images
148. Here be Dogs: Documenting the Visual Culture of the Czech Indie Scene
149. “Hear What You Want”: Sonic Politics, Blackness, and Racism-Canceling Headphones
150. Hearing Glenn Gould's Body: Corporeal Liveness in Recorded Music
151. Hearing Emerson, Lake, and Palmer Anew: Progressive Rock as "Music of Attractions"
152. Hearing and Feeling the Black Vampire: Queer Affects in the Film Soundtrack
153. Harriet Jacobs Gets a Hearing
154. Gender and the Field of Musicology
155. Fruits and Vegetables
156. From the Singer's Point of View: A Case Study in Hexachordal Solmization as a Guide to Musica Recta and Musica Ficta in Fifteenth-Century Vocal Music
157. From the Center in the Middle: Working Tambura Bands and the Construction of the In Between in Croatia and its Intimates
158. From Idea to Institution: The Development and Dissemination of the Orff-Schulwerk from Germany to the United States
159. from From a Broken Bottle Traces of Perfume Still Emanate, Volume Five
160. From Errata 5uite
161. From Coups that Silence Ezan-s to Ezan-s that Silence Coups!: Sonic Resistance to the 2016 Turkish Military Coup
162. Froberger in Rome: From Frescobaldi's Craftsmanship to Kircher's Compositional Secrets
163. Felix Mendelssohn's Influence on Fanny Mendelssohn Hensel as a Professional Composer
164. Feeling Pain/Making Kin in the Brooklyn Noise Music Scene
165. Experimental Music in Black and White: The AACM in New York, 1970-1985
166. Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding
167. Experiencing Alba Tressina’s Anima mea liquefacta est through Bodily Humors and the Sacred Erotic
168. Excerpted from The Days and Nights of the Lotus Trio
169. Evolution and Structure in Flamenco Harmony
170. Ethnomusicology as Interdisciplinary Musicology: A Case Study
171. Ethnography, Sound Studies and the Black Atlantic
172. Empirical Explorations of Guitar Players’ Attitudes Towards Their Equipment and the Role of Distortion in Rock Music
173. Emcee Ethnographies: A Brief Sketch of U.S. Hip-Hop Ethnography
174. Eleven Theses on Sound and Transcendence
175. Elements of a Style
176. Eisler's Notes on Hollywood and the Film Music Project, 1935-42
177. Editor’s Note to Gesprochene Musik, 1. “O–a” and 2. “Ta–tam”
178. Editor’s Note
179. Editor's Note
180. Editor's Note
181. Earl Hines and "Rosetta"
182. Dvořak's Armida and the Czech Oriental "Self"
183. Do as Some Said, or as Most Did?-A Foucauldian Experiment with Nineteenth-Century HIP
184. “Django’s Tiger”: From Jazz to Jazz Manouche
185. Disruptive Spatiality and the Experience of Recordings of Bach's Solo Cello Suites
186. Discontinuity in the Music of Django Reinhardt
187. Disciplinary Movements, the Civil Rights Movement, and Charles Keil's Urban Blues
188. Dialectics of Debate: Reflections on Three Pedagogical Scenes in Chinese Music History
189. Der Tod und die Forelle: New Thoughts on Schubert's Quintet
190. Debussy as Storyteller: Narrative Expansion in the Trois Chansons de Bilitis
191. Datable "Notre Dame" Conductus: New Historical Observations on Style and Technique
192. Curious Intersections, Uncommon Magic: Steve Reich's It's Gonna Rain
193. C.P.E. Bach's Instrumental "Recompositions": Revisions or Alternatives?
194. Cover To Cover
195. Cosmopolitanism and Race in Percy Grainger’s American “Delius Campaign”
196. Correspondences
197. Contextualizing Hip Hop Sonic Cool Pose in Late Twentieth– and Twenty–first–century Rap Music
198. Concerning the Liturgical Usage of Dufay's Fragmentary Masses
199. Composing Notes
200. Composing Breathtails (a Song Cycle in 21 Breaths)
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