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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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102. Music Smashed to Pieces: The Destructive Logic of Berlioz's Romeo au tombeau
103. Sex and Laughter in Women's Music, 1970-77
104. Signification, Objectification, and the Mimetic Uncanny in Claude Debussy's "Golliwog's Cakewalk"
105. Solving Elgar's Enigma
106. Variations V: "Escaping Stagnation" Through Movement of Signification
107. Aida and the Empire of Emotions (Theodor W. Adorno, Edward Said, and Alexander Kluge)
108. A Paper Trail: Missa Jouyssance vous donneray, Uncertain Identity, and the National Institutes of Health's "Bathtub Collection"
109. Hearing Glenn Gould's Body: Corporeal Liveness in Recorded Music
110. Kundry and the Jewish Voice: Anti-antisemitism and Musical Transcendence in Wagner's Parsifal
111. Rebel Girls and Singing Boys: Performing Music and Gender in the Teen Movie
112. Speaking and Sighing: Bellini's canto declamato and the Poetics of Restraint
113. Becoming Bach, Blaspheming Bach: Kinesthetic Knowledge and Embodied Music Theory in Ysaÿe's "Obsession" for Solo Violin
114. Beyond Sonata Deformation: Liszt's Symphonic Poem Tasso and the Concept of Two-Dimensional Sonata Form
115. Debussy as Storyteller: Narrative Expansion in the Trois Chansons de Bilitis
116. Eisler's Notes on Hollywood and the Film Music Project, 1935-42
117. Medievalism and Exoticism in the Music of Dead Can Dance
118. Periods in Progressive Rock and the Problem of Authenticity
119. Producing Producers: Women and Electronic/Dance Music
120. The Filth and the Fury: An Essay on Punk Rock Heavy Metal Karaoke
121. Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work
122. Bach: Luther's Musical Prophet?
123. Dvořak's Armida and the Czech Oriental "Self"
124. Musical Meaning for the Few: Instances of Private Reception in the Music of Brahms
125. Music of the Gods: Solo Song and effetti meravigliosi in the Interludes for La pellegrina
126. The Pastoral After Environmentalism: Nature and Culture in Stephen Albert's Symphony: RiverRun
127. Toward a Revised Understanding of Young Children's Musical Activities: Reflections from the "Day in the Life" Project
128. Disruptive Spatiality and the Experience of Recordings of Bach's Solo Cello Suites
129. The Aesthetics of Textural Ambiguity: Brahms and the Changing Piano
130. The Cyberpolitics of Music in Ukraine's 2004 Orange Revolution
131. The Foundations of Mozart Scholarship
132. The Idea of Transfiguration in the Early German Reception of Mozart's Requiem
133. Curious Intersections, Uncommon Magic: Steve Reich's It's Gonna Rain
134. Der Tod und die Forelle: New Thoughts on Schubert's Quintet
135. Disciplinary Movements, the Civil Rights Movement, and Charles Keil's Urban Blues
136. Hearing Emerson, Lake, and Palmer Anew: Progressive Rock as "Music of Attractions"
137. Opera at Columbia: A Shining Legacy
138. The German Musical Exile and the Course of American Musicology
139. The Snake Bites Its Tail: Cyclic Processes in Brahms's Third String Quartet, op. 67
140. Adolphe Appia, Les maîtres chanteurs de Nuremberg: An Introduction and Translation
141. A View From Death: Ariadne auf Naxos as Failed Totality
142. A Voice Like Thunder: Corsican Women's Lament as Cultural Work
143. Beyond the Beethoven Model: Sentence Types and Limits
144. Interpreting Discontinuity in the Late Works of Debussy
145. "Lenin in Swaddling Clothes": A Critique of the Ideological Conflict Between Socialist State Policy and Christian Music in Cold War Romania
146. Musical Platonism in Modern Culture
147. Orality, Literacy, and the Early Notation of the Office Hymns
148. "Paths of Harmony" in the First Movement of Brahms's Cello Sonata in E minor, Op. 38
149. Recombinant Melody: Ten Things to Love About Willaert's Music
150. The Concept of Ausweichung in Music Theory, ca. 1770-1832
151. The Origins of the Orchestra Machine
152. Varese in vitro: On Attention, Aurality, and the Laboratory
153. Writing Under the Influence?: Salieri and Schubert's Early Opinion of Beethoven
154. A Knife All Blade: Deciding the Side Not to Take
155. A Musical Education: Lee Morgan and the Philadelphia Jazz Scene of the 1950's
156. Better the Puppet?*
157. Discontinuity in the Music of Django Reinhardt
158. Earl Hines and "Rosetta"
159. Elements of a Style
160. Experimental Music in Black and White: The AACM in New York, 1970-1985
161. Fruits and Vegetables
162. I Am/Was the Walrus
163. "King Porter Stomp" and the Jazz Tradition
164. Latin Jazz: The Other Jazz
165. Listening and Composing
166. Mark Tucker (1954-2000)
167. Material Matters
168. Meter and Word Setting: Revising Machaut's Monophonic Virelais
169. middle/ground
170. Musical Literacy and Jazz Musicians in the 1910's and 1920's
171. Music Analysis and the Social Life of Jazz Recordings
172. Oblique Strategies
173. On Plurality
174. Outside Forces: "Autumn Leaves" in the 1960s
175. Porgy and Miles
176. Realizing Musical Gestures with the Computer: Paradigms and Problems
177. Scat Singing: A Timbral and Phonemic Analysis
178. The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School"
179. Things I Think about, and Don't Think about, When I Compose
180. Tradition and Creation
181. Reger's Bach and Historicist Modernism
182. The Question of Purpose in Music Theory: Description, Suggestion, and Explanation
183. Arnold Schering, "Die Eroica, eine Homer-Symphonie Beethovens?": Translated with an Introduction and Commentary
184. Musical Style and Experience in a Brooklyn Pentecostal Church: An "Insider's" Perspective
185. Patricia Carpenter in Commemoration
186. Spooning Good Singing Gum: Meaning, Association, and Interpretation in Rock Music
187. The Composer as Pole Seeker: Reading Vaughan Williams's Sinfonia antartica
188. A Nuyorican Son
189. Composing Notes
190. Leaving the Ivory Tower
191. My Attitude Problem
192. Recent Developments at the Columbia University Computer Music Center
193. The Disc Jockey as Composer, or How I Became a Composing DJ
194. ...whence freedom
195. Datable "Notre Dame" Conductus: New Historical Observations on Style and Technique
196. Ethnomusicology as Interdisciplinary Musicology: A Case Study
197. Introduction: The Ingredients of a Masterpiece
198. The Selection of Clausula Sources for Thirteenth- Century Motets: Some Practical Considerations and Aesthetic Implications
199. Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony
200. Competition in the Sundanese Performing Arts of West Java, Indonesia
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