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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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2. A Cross–Cultural Grammar for Temporal Harmony in Afro–Latin Musics: Clave, Partido– Alto and Other Timelines
3. “A Disturbing Lack of Musical and Stylistic Continuity”? Elliott Carter, Charles Ives, and Musical Borrowing
4. Adolphe Appia, Les maîtres chanteurs de Nuremberg: An Introduction and Translation
5. African Afro-futurism: Allegories and Speculations
6. A Great Desire: Autobiography in Louise Talma's Three Madrigals
7. Aida and the Empire of Emotions (Theodor W. Adorno, Edward Said, and Alexander Kluge)
8. A Knife All Blade: Deciding the Side Not to Take
9. Alexander Johnson and the Tennessee Harmony
10. Ambient Drone and Apocalypse
11. A Message for Peace or a Tool for Oppression? Israeli Jewish-Arab duo Achinoam Nini and Mira Awad's Representation of Israel at Eurovision 2009
12. A Musical Education: Lee Morgan and the Philadelphia Jazz Scene of the 1950's
13. An Account of Emotional Specificity in Classic-Romantic Music
14. Analysis, Performance, and Images of Musical Sound: Surfaces, Cyclical Relationships and the Musical Work
15. An American Precursor of Non-tonal Theory: Ernst Bacon (1898-1990)
16. A Nuyorican Son
17. A Paper Trail: Missa Jouyssance vous donneray, Uncertain Identity, and the National Institutes of Health's "Bathtub Collection"
18. A Picture is Worth a Thousand Words: Road Maps as Analytical Tools
19. A Psychological Approach to Musical Form: The Habituation–Fluency Theory of Repetition
20. Archival Nothing
21. A Reappraisal of the Relationship Between Benjamin Britten and Walter Greatorex
22. Arnold Schering, "Die Eroica, eine Homer-Symphonie Beethovens?": Translated with an Introduction and Commentary
23. Aspects of Trope in the Earliest Motets for the Assumption of the Virgin
24. As Time Goes By: Car Radio and the Travel Experience in Twentieth-Century America
25. A Timely Musical Discourse, or a Music Treatise from Lost Times, Part I
26. A View From Death: Ariadne auf Naxos as Failed Totality
27. A Voice Like Thunder: Corsican Women's Lament as Cultural Work
28. Awakening the Sensorium in Puerto Rico’s Colonial Modernity
29. Bach: Luther's Musical Prophet?
30. Beat Hierarchy and Beat Patterns—From Aksak to Composite Meter
31. Becoming Bach, Blaspheming Bach: Kinesthetic Knowledge and Embodied Music Theory in Ysaÿe's "Obsession" for Solo Violin
32. Berton’s Ludic Pedagogy and the Subdominant Otherwise: Tension and Compromise in the Early Paris Conservatoire Curriculum
33. Bethany Klein. As Heard on TV: Popular Music in Advertising
34. Better the Puppet?*
35. Beyond Sonata Deformation: Liszt's Symphonic Poem Tasso and the Concept of Two-Dimensional Sonata Form
36. Beyond the Beethoven Model: Sentence Types and Limits
37. Black Labor and the Deep South in Hurston’s The Great Day and Ellington’s Black, Brown, and Beige
38. Brahms, Autodidacticism, and the Curious Case of the Gavotte
39. Breathtails: a Song Cycle in 13 Breaths Written for Anne LeBaron
40. Cantilena and Antiphon: Music for Marian Services in Late Medieval England
41. Centers; Dissenters (Music, Religion, and Politics)
42. Cinderella; or Music and the Human Sciences. Unfootnoted Musings from the Margins
43. Come Out to Show the Split Subject: Steve Reich, Whiteness, and the Avant-Garde
44. Competition in the Sundanese Performing Arts of West Java, Indonesia
45. Composing Breathtails (a Song Cycle in 21 Breaths)
46. Composing Notes
47. Concerning the Liturgical Usage of Dufay's Fragmentary Masses
48. Contextualizing Hip Hop Sonic Cool Pose in Late Twentieth– and Twenty–first–century Rap Music
49. Correspondences
50. Cosmopolitanism and Race in Percy Grainger’s American “Delius Campaign”
51. Cover To Cover
52. C.P.E. Bach's Instrumental "Recompositions": Revisions or Alternatives?
53. Curious Intersections, Uncommon Magic: Steve Reich's It's Gonna Rain
54. Datable "Notre Dame" Conductus: New Historical Observations on Style and Technique
55. Debussy as Storyteller: Narrative Expansion in the Trois Chansons de Bilitis
56. Der Tod und die Forelle: New Thoughts on Schubert's Quintet
57. Dialectics of Debate: Reflections on Three Pedagogical Scenes in Chinese Music History
58. Disciplinary Movements, the Civil Rights Movement, and Charles Keil's Urban Blues
59. Discontinuity in the Music of Django Reinhardt
60. Disruptive Spatiality and the Experience of Recordings of Bach's Solo Cello Suites
61. “Django’s Tiger”: From Jazz to Jazz Manouche
62. Do as Some Said, or as Most Did?-A Foucauldian Experiment with Nineteenth-Century HIP
63. Dvořak's Armida and the Czech Oriental "Self"
64. Earl Hines and "Rosetta"
65. Editor’s Note
66. Editor's Note
67. Editor's Note
68. Editor’s Note to Gesprochene Musik, 1. “O–a” and 2. “Ta–tam”
69. Eisler's Notes on Hollywood and the Film Music Project, 1935-42
70. Elements of a Style
71. Eleven Theses on Sound and Transcendence
72. Emcee Ethnographies: A Brief Sketch of U.S. Hip-Hop Ethnography
73. Empirical Explorations of Guitar Players’ Attitudes Towards Their Equipment and the Role of Distortion in Rock Music
74. Ethnography, Sound Studies and the Black Atlantic
75. Ethnomusicology as Interdisciplinary Musicology: A Case Study
76. Evolution and Structure in Flamenco Harmony
77. Excerpted from The Days and Nights of the Lotus Trio
78. Experiencing Alba Tressina’s Anima mea liquefacta est through Bodily Humors and the Sacred Erotic
79. Experimental Music in Black and White: The AACM in New York, 1970-1985
80. Feeling Pain/Making Kin in the Brooklyn Noise Music Scene
81. Felix Mendelssohn's Influence on Fanny Mendelssohn Hensel as a Professional Composer
82. Froberger in Rome: From Frescobaldi's Craftsmanship to Kircher's Compositional Secrets
83. From Coups that Silence Ezan-s to Ezan-s that Silence Coups!: Sonic Resistance to the 2016 Turkish Military Coup
84. From Errata 5uite
85. from From a Broken Bottle Traces of Perfume Still Emanate, Volume Five
86. From Idea to Institution: The Development and Dissemination of the Orff-Schulwerk from Germany to the United States
87. From the Center in the Middle: Working Tambura Bands and the Construction of the In Between in Croatia and its Intimates
88. From the Singer's Point of View: A Case Study in Hexachordal Solmization as a Guide to Musica Recta and Musica Ficta in Fifteenth-Century Vocal Music
89. Fruits and Vegetables
90. Gender and the Field of Musicology
91. Harriet Jacobs Gets a Hearing
92. Hearing and Feeling the Black Vampire: Queer Affects in the Film Soundtrack
93. Hearing Emerson, Lake, and Palmer Anew: Progressive Rock as "Music of Attractions"
94. Hearing Glenn Gould's Body: Corporeal Liveness in Recorded Music
95. “Hear What You Want”: Sonic Politics, Blackness, and Racism-Canceling Headphones
96. Here be Dogs: Documenting the Visual Culture of the Czech Indie Scene
97. Horses For Discourses?: The Transition from Oral to Broadside Narrative in “Skewball”
98. I Am/Was the Walrus
99. Igor’s Goriest Tune and selected text pieces
100. Images of Time and Timelessness: A Musical Reading of Death in Venice
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