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Current Musicology
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Current Musicology is a leading journal for scholarly research on music. We publish articles and book reviews in the fields of historical musicology, ethnomusicology, music theory, and philosophy of music. The journal was founded in 1965 by graduate students at Columbia University as a semiannual review. This archive contains articles published in the journal starting in 1980. https://currentmusicology.columbia.edu/
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2. A Comparison of the Five Monochords of Guido of Arezzo
3. Key Structure and Tonal Allegory in the Passions of J. S. Bach: An Introduction
4. Brahms, Developing Variation, and the Schoenberg Critical Tradition
5. On the Identity of Some Musicians At The Brescian Court of Pandolfo III Malatesta
6. Alexander Johnson and the Tennessee Harmony
7. Brahms and Schubring: Musical Criticism and Politics at Mid-Century
8. Concerning the Liturgical Usage of Dufay's Fragmentary Masses
9. Felix Mendelssohn's Influence on Fanny Mendelssohn Hensel as a Professional Composer
10. Transformational Analysis: An Essay Toward an Analytic Model
11. Otto Luening (1900-) and the Theories of Bernhard Ziehn (1845-1912)
12. Evolution and Structure in Flamenco Harmony
13. From the Singer's Point of View: A Case Study in Hexachordal Solmization as a Guide to Musica Recta and Musica Ficta in Fifteenth-Century Vocal Music
14. Music and Jugendstil
15. Thematic Form and the Genesis of Schoenberg’s D-Minor Quartet, Op. 7
16. Aspects of Trope in the Earliest Motets for the Assumption of the Virgin
17. Cantilena and Antiphon: Music for Marian Services in Late Medieval England
18. Some Observations on the "Germanic" Plainchant Tradition
19. Subtiliter alternare: The Yoxford Motet o amicus / Precursaris
20. The "Arabian Influence" Thesis Revisited
21. The Song Sketches of Hugo Wolf
22. An American Precursor of Non-tonal Theory: Ernst Bacon (1898-1990)
23. Review of Style and Music: Theory, History, and Ideology by Leonard B. Meyer
24. In Defense of Close Reading and Close Listening
25.
Martin Ruhnke, ed. Georg Philipp Telemann: Thematisch-Systematisches Verzeichnis seiner Werke:
Telemann-Werkverzeichnis: Instrumental Werke 2.
26. The Rhythm of Text and Music in Ottocento Melody: An Empirical Reassessment in Light of Contemporary Treatises
27. Cinderella; or Music and the Human Sciences. Unfootnoted Musings from the Margins
28. Froberger in Rome: From Frescobaldi's Craftsmanship to Kircher's Compositional Secrets
29. Gender and the Field of Musicology
30. Musical and Intellectual Values: Interpreting the History of Tonal Theory
31. Musical Pasts and Postmodern Musicologies: A Response to Lawrence Kramer
32. Voice as Action: Towards a Model for Analyzing the Dynamic Construction of Racialized Voice
33. Centers; Dissenters (Music, Religion, and Politics)
34. Performance and Social Meaning in the Lied: Schubert's Erster Verlust
35. Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin
36. The Prelude from Bach's Suite No.4 for Violoncello Solo: The Submerged Urlinie
37. C.P.E. Bach's Instrumental "Recompositions": Revisions or Alternatives?
38. Lieder, Listeners, and Ideology: Schubert's "Alinde" and Opus 81
39. Melodrama as a Compositional Resource in Early Hollywood Sound Cinema
40. Perspectives on Bruckner
41. The Turn from the Aesthetic
42.
Plot and Tonal Design as Compositional Constraints
in Il trovatore
43. Tia DeNora, Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803
44. Competition in the Sundanese Performing Arts of West Java, Indonesia
45. Kofi Agawu. African Rhythm: A Northern Ewe Perspective. Cambridge: Cambridge University Press, 1995. xx, 217 pp., 19 plates; compact disc.
46. New Musicologies, Old Musicologies: Ethnomusicology and the Study of Western Music*
47. Review of The Second Practice of Nineteenth-Century Tonality by William Kinderman and Harald Krebs
48. Spatial and Psychoacoustic Factors in Atonal Prolongation
49. "Telling a Story": Louis Armstrong and Coherence in Early Jazz
50. Datable "Notre Dame" Conductus: New Historical Observations on Style and Technique
51. Ethnomusicology as Interdisciplinary Musicology: A Case Study
52. Introduction: The Ingredients of a Masterpiece
53. The Selection of Clausula Sources for Thirteenth- Century Motets: Some Practical Considerations and Aesthetic Implications
54. Voice Function, Sonority, and Contrapuntal Procedure in Late Medieval Polyphony
55. A Nuyorican Son
56. Composing Notes
57. Leaving the Ivory Tower
58. My Attitude Problem
59. Recent Developments at the Columbia University Computer Music Center
60. The Disc Jockey as Composer, or How I Became a Composing DJ
61. ...whence freedom
62. Arnold Schering, "Die Eroica, eine Homer-Symphonie Beethovens?": Translated with an Introduction and Commentary
63. Musical Style and Experience in a Brooklyn Pentecostal Church: An "Insider's" Perspective
64. Patricia Carpenter in Commemoration
65. Spooning Good Singing Gum: Meaning, Association, and Interpretation in Rock Music
66. The Composer as Pole Seeker: Reading Vaughan Williams's Sinfonia antartica
67. Reger's Bach and Historicist Modernism
68. The Question of Purpose in Music Theory: Description, Suggestion, and Explanation
69. A Knife All Blade: Deciding the Side Not to Take
70. A Musical Education: Lee Morgan and the Philadelphia Jazz Scene of the 1950's
71. Better the Puppet?*
72. Discontinuity in the Music of Django Reinhardt
73. Earl Hines and "Rosetta"
74. Elements of a Style
75. Experimental Music in Black and White: The AACM in New York, 1970-1985
76. Fruits and Vegetables
77. I Am/Was the Walrus
78. "King Porter Stomp" and the Jazz Tradition
79. Latin Jazz: The Other Jazz
80. Listening and Composing
81. Mark Tucker (1954-2000)
82. Material Matters
83. Meter and Word Setting: Revising Machaut's Monophonic Virelais
84. middle/ground
85. Musical Literacy and Jazz Musicians in the 1910's and 1920's
86. Music Analysis and the Social Life of Jazz Recordings
87. Oblique Strategies
88. On Plurality
89. Outside Forces: "Autumn Leaves" in the 1960s
90. Porgy and Miles
91. Realizing Musical Gestures with the Computer: Paradigms and Problems
92. Scat Singing: A Timbral and Phonemic Analysis
93. The Role of Adele T. Katz in the Early Expansion of the New York "Schenker School"
94. Things I Think about, and Don't Think about, When I Compose
95. Tradition and Creation
96. Musical Platonism in Modern Culture
97. Orality, Literacy, and the Early Notation of the Office Hymns
98. "Paths of Harmony" in the First Movement of Brahms's Cello Sonata in E minor, Op. 38
99. Recombinant Melody: Ten Things to Love About Willaert's Music
100. The Concept of Ausweichung in Music Theory, ca. 1770-1832
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