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Columbia Journal of Law & the Arts
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The Columbia Journal of Law & the Arts is a quarterly, student-edited publication dedicated to up-to-date and in-depth coverage of legal issues involving the art, entertainment, sports, intellectual property, and communications industries. Founded in 1975, the journal is one of the most-cited periodicals devoted to arts law issues and features contributions by scholars, judges, practitioners, and students. https://lawandarts.org/
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2. Applying Star Athletica’s Teachings in the Copyright Office
3. Comment: Foreign Contracts and U.S. Copyright Termination Rights: What Law Applies?
4. Copyright Protection for Applied Art and Works of Artistic Craftsmanship After Star Athletica
5. Curious Cases of Copyrightability Before the Copyright Office
6. Does Art Need Copyright After All?
7. Do We Need a New Conception of Authorship?
8. Highway Art Policy Revisited: Rethinking Transfers of Copyright Ownership in State-Owned Transportation Artwork
9. How Conceptual Art Challenges Copyright’s Notions of Authorial Control and Creativity
10. How Much Should Being Accommodate Becoming? Copyright in Dynamic and Permeable Art
11. Litigating Scènes à Faire
12. Making Sense of Scènes à Faire Through the Lens of Feist
13. Merger as a Matter of Extrinsic Constraints
14. Opening Remarks: Copyrightability in the U.S. Copyright Office
15. The Five W’s of Merger
16. U.S. Law’s Artificial Cabining of Moral Rights: The Copyrightability Prerequisite and Cady Noland’s Log Cabin
17. Control over Contemporary Photography: A Tangle of Copyright, Right of Publicity, and the First Amendment
18. Embedding Content or Interring Copyright: Does the Internet Need the “Server Rule”?
19. Selling the Artist, Not the Art: Using Personal Brand Concepts To Reform Copyright Law for the Social Media Age
20. The ‘Art’ of Copyright: A Practitioner’s Perspective
21. A New Copyright Bargain? Reclaiming Lost Culture and Getting Authors Paid
22. Author-Centered Copyright Enforcement?
23. Capitol Records v. Vimeo: The Peculiar Case of Pre-1972 Sound Recordings and Federal Copyright Law
24. Compulsory Licensing and Administrative Procedures in Canada
25. Copyright Reversion in The Creative Industries: Economics and Fair Remuneration
26. EU Contractual Protection of Creators: Blind Spots and Shortcomings
27. Expanding the Spectrum: Open Access and the Internet Age
28. Facilitating Transactions and Lawful Availability of Works of Authorship: Online Access to the Cultural Heritage and Extended Collective Licenses
29. Facilitating Transactions and Lawful Availability of Works of Authorship: The U.S. Perspective
30. Foreign Authors’ Enforcement of U.S. Reversion Rights
31. More Money for Creators and More Support for Copyright in Society—Fair Remuneration Rights in Germany and the Netherlands
32. Remedies, Enforcement and Territoriality
33. Remedies, Enforcement and Territoriality
34. Scan, Copy, Print: How To Minimize Copyright Infringement During the 3D Technology Revolution
35. The International Framework for the Protection of Authors: Bendable Boundaries and Immovable Obstacles
36. The Transactional Origins of Authors’ Copyright
37. After Aereo: Applying the Cable Compulsory License to Internet Retransmission Services
38. An Approach to Why Typography Should be Copyrightable
39. Authorship and the Boundaries of Copyright: Ideas, Expressions, and Functions in Yoga, Choreography, and Other Works
40. Copyrightability of Conceptual Art: An Idea Whose Time Hasn’t Come
41. Copyright from Inside the Box: A View from the U.S. Copyright Office
42. Copyright’s Illogical Exclusion of Conceptual Art
43. “Courts Have Twisted Themselves into Knots”: U.S. Copyright Protection for Applied Art
44. “Defamation Live”: The Confusing Legal Landscape of Republication in Live Broadcasting and a Call for a “Breaking News Doctrine”
45. Emergent Works
46. Fair Use and the New Transformative
47. From Meerkat to Periscope: Does Intellectual Property Law Prohibit the Live Streaming of Commercial Sporting Events?
48. If It’s Broke, Fix It: Fixing Fixation
49. Phantom Capital, Hybrid Authorship, and Collective Intelligence
50. Protection and Enforcement Challenges for Tattoo Copyrights
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