1. Contrafactual Archaeology: A Model for Inter-idiomatic Composition in Orlando Furioso Hansen Atria, Vicente 2022 Theses Composition (Music)African Americans--MusicMicrotonal musicGates, Henry Louis, Jr.
2. Partial Displacement: En/decoding Spectral Thinking in Tristan Murail’s Mémoire/Érosion, and Two Compositions for String Quartet Lo, Shih-Wei 2021 Theses Music theoryMusical analysisComposition (Music)String quartetsMusic--Psychological aspectsTaiwanese--Ethnic identityMurail, Tristan
3. Post-Ironic Sounds: Wallacian New Sincerity in “Unavoidably Sentimental” for Large Ensemble Klartag, Yair 2019 Theses Composition (Music)SincerityCommunication in musicInstrumental ensemblesWallace, David Foster
4. High School Instrumental Students Compose for Band and Orchestra Hakoda, Kensuke 2018 Theses Music--Instruction and studyInstrumental musicMusicComposition (Music)Music students
5. Synergy of Orchestration, Rhythm, and Form in Three Microtonal Compositions Brook, Taylor McNeal 2018 Theses Instrumentation and orchestrationMicrotonal musicComposition (Music)
6. Convergence Lines: A Musical Distillation of Thomas Pynchon’s V. Trapani, Christopher Michael 2017 Theses Composition (Music)MusicElectronic musical instrumentsV (Pynchon, Thomas)
7. Perle Noire: Meditations for Josephine - Aesthetics, Discussion, and Reception Sorey, Tyshawn 2017 Theses MusicComposition (Music)Song cycles
8. Recalling the Traces of Ancient Fires: Memory and Composed Reinterpretation in Vestigia Flammae for sinfonietta and Agnosco Veteris for orchestra Young, Nina C. 2017 Theses Orchestral musicComposition (Music)SymphoniesMusic
9. Salience and Musical Form: On the Composition of 'Objets À Réaction Poétique' for Large Chamber Ensemble Clift, Paul David 2017 Theses MusicChamber musicChamber orchestra musicComposition (Music)
10. Composition in Relative Intonation Sadhana (2015) and k. tracing (2015) Pratt, Ryan Hughes 2016 Theses Intonation (Musical pitch)Instrumentation and orchestrationHarmonyComposition (Music)Music
11. Noise, sound and objecthood: the politics of representation in avant-garde music Hall, Alexander David 2016 Theses NeoliberalismComposition (Music)MusicAvant-garde (Music)
12. Between Imagination and Realization: Composers and Metaphysical Spaces Onishi, Yoshiaki 2015 Theses MusicPhilosophyComposition (Music)Music and philosophyAndre, Mark, 1964-
13. Flutes, Pianos, and Machines: Compositions for Instruments and Electronic Sounds Jacobs, Bryan Charles 2015 Theses Composition (Music)MIDI (Standard)Human-computer interactionComputer musicMusicRobotics
14. Optimizing Future Perfect: A Model for Composition with Genetic Algorithms Holbrook, Geoffrey John 2015 Theses MusicComputer scienceComposition (Music)Genetic algorithms
15. Glissando as a Metaphor in Beat Furrer's FAMA Khumalo, Andile 2014 Theses MusicComposition (Music)GlissandoFurrer, Beat, 1954-
16. Lists, reliquaries and angels in the music and the modern world/ Tombeau pour New York Tallgren, Johan 2014 Theses MusicComposition (Music)Music--Religious aspectsAngels
17. Misshapen Shadows, Broken Symmetries, Lustrous Glimmering: Gyӧrgy Ligeti's "Melodien" and Gustav Klimt's Mosaics Nail, Ashley Simone 2014 Theses MusicComposition (Music)Ligeti, György, 1923-2006Klimt, Gustav, 1862-1918
18. Whence We Come, Whither We Go: Return and Renewal in Lineage for Large Orchestra Di Castri, Sophia 2014 Theses MusicComposition (Music)Orchestral music
19. Generative processes in Stockhausen's Lichter - Wasser Bianchi, Oscar 2013 Theses MusicComposition (Music)Music theoryStockhausen, Karlheinz, 1928-2007
20. Listening and Musical Composition: Spectromorphological Analysis of Enfilade: Lamento-Cambiata Cetiz, Mahir 2013 Theses MusicComposition (Music)