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2. Listening with Two Ears: Conflicting Perceptions of Space in Tonal Music
3. "Modernity's hearing loss" : Beethoven, romantic critique, and the music of the literary
4. Pendulum V: DM "Vitality, Exhaustion and Fleeting Equilibrium"
5. The Independent Turn in Soviet-Era Russian Poetry: How Dmitry Bobyshev, Joseph Brodsky, Anatoly Naiman and Evgeny Rein Became the 'Avvakumites' of Leningrad
6. Voices from the Killing Jar
7. Across a Divide: Mediations of Popular Music in Contemporary Morocco and Spain
8. Flowing Waters and the Flow of Time: Guan Pinghu's Interpretation of Flowing Waters
9. How Much Do We Practice?: Defining a Course of Study for the Applied Pianist
10. Laptop Improvisation in a Multi-Dimensional Space
11. Liminality as a Framework for Composition: Rhythmic Thresholds, Spectral Harmonies and Afrological Improvisation
12. Liszt as Prophet: Religion, Politics, and Artists in 1830s Paris
13. On Colonial Textuality and Difference: Musical Encounters with French Colonialism in Nineteenth-Century Algeria
14. Opera at the Crossroads of Tradition and Reform in Gluck's Vienna
15. Order in Désordre: Rhythmic and Melodic Structure in György Ligeti's Piano Etude No. 1
16. Reinterpreting the Global, Rearticulating the Local: Nueva Música Colombiana, Networks, Circulation, and Affect
17. Symphonic Culture in Paris, 1880-1900: The Bande à Franck and Beyond
18. The Comedies of Opera Seria: Handel’s Post-academy Operas, 1738-1744
19. The Dancer from the Music: Choreomusicalities in Twentieth-Century American Modern Dance
20. Theorizing Pianistic Experience: Tradition, Instrument, Performer
21. Voices of New Music on National Public Radio: Radio Net, RadioVisions, and Maritime Rites
22. Wild Music: Ideologies of Exoticism in Two Ukrainian Borderlands
23. Building Mobile Instruments for Improvised Musical Performance
24. Confusion in the Karnatic Capital: Fusion in Chennai, India
25. Ears Taut to Hear: Sound Recording and Twentieth-Century American Literature
26. Generative processes in Stockhausen's Lichter - Wasser
27. Listening and Musical Composition: Spectromorphological Analysis of Enfilade: Lamento-Cambiata
28. Mansion: Inner Cosmologies, Thresholds, and Contacts
29. Mbalax: Cosmopolitanism in Senegalese Urban Popular Music
30. Princeton Theory's Problematics
31. Song, State, Sawa: Music and Political Radio between the US and Syria
32. The Comedies of Opera Seria: Handel's Post-Academy Operas, 1738-1744
33. The Déploration as Musical Idea
34. A Multiphonic Reappraisal and the Alto Saxophone Concerto Radial
35. A Time for Everything, for chorus: Analysis of a Musical Meditation
36. Dangerous Tenors, Heroic Basses, and Non-Ingénues: Singers and the Envoicing of Social Values in Russian Opera, 1836-1905
37. European Echoes: Jazz Experimentalism in Germany, 1950-1975
38. Glissando as a Metaphor in Beat Furrer's FAMA
39. Hearing Women's Voices in Popular Song: Analyzing Sound and Identity in Country and Soul
40. Jazz and Radio in the United States: Mediation, Genre, and Patronage
41. Lists, reliquaries and angels in the music and the modern world/ Tombeau pour New York
42. Misshapen Shadows, Broken Symmetries, Lustrous Glimmering: Gyӧrgy Ligeti's "Melodien" and Gustav Klimt's Mosaics
43. Music, Affect, Labor, and Value: Late Capitalism and the (Mis)Productions of Indie Music in Chile and Brazil
44. Music in Conflict: Palestine, Israel and the Politics of Aesthetic Production
45. Nono and Marxist Aesthetics
46. Schubert's Mythological Mayrhofer-Lieder: Historical, Philosophical, and Psychological Contexts
47. Sounding "Black": An Ethnography of Racialized Vocality at Fisk University
48. Sound in the Construction of Race: From Blackface to Blacksound in Nineteenth-Century America
49. Staging the Operas of Francesco Cavalli: Dramaturgy in Performance, 1651-1652
50. Thirty-three Dialectics on a Theme: Hegelian Philosophy Vis-à-vis Beethoven's "Diabelli" Variations, Op. 120
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