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2. The State of Music at LabROSA
3. Inharmonic Speech: A Tool for the Study of Speech Perception and Separation
4. Large-Scale Cover Song Recognition Using the 2D Fourier Transform Magnitude
5. Making a Scene: Alignment of Complete Sets of Clips Based on Pairwise Audio Match
6. Mining Large-Scale Music Data Sets
7. Noise Robust Pitch Tracking by Subband Autocorrelation Classification
8. Perceptually-Inspired Music Audio Analysis
9. Classifying soundtracks with audio texture features
10. Combining Localization Cues and Source Model Constraints for Binaural Source Separation
11. Consumer Video Understanding: A Benchmark Database and An Evaluation of Human and Machine Performance
12. Direct processing of MPEG audio using companding and BFP techniques
13. Environmental Sound Recognition and Classification
14. Evaluating music sequence models through missing data
15. Extracting Information from Sound
16. Joint Audio-Visual Signatures for Web Video Analysis
17. Music Audio Research at LabROSA
18. Signal Processing for Music Analysis
19. Soundtrack classification by transient events
20. Spectral vs. spectro-temporal features for acoustic event detection
21. Speech Separation for Recognition and Enhancement
22. Transcribing Multi-Instrument Polyphonic Music With Hierarchical Eigeninstruments
23. Using the Soundtrack to Classify Videos
24. A History and Overview of Machine Listening
25. A Probabilistic Subspace Model for Multi-Instrument Polyphonic Transcription
26. Audio-Based Semantic Concept Classification for Consumer Video
27. Audio Fingerprinting to Identify Multiple Videos of an Event
28. Clustering beat-chroma patterns in a large music database
29. Cover Song Detection: From High Scores to General Classification
30. Detecting local semantic concepts in environmental sounds using Markov model based clustering
31. Evaluating Source Separation Algorithms With Reverberant Speech
32. Joint Audio-Visual Signatures for Web Video Analysis
33. Model-Based Expectation-Maximization Source Separation and Localization
34. Music Audio Research at LabROSA
35. The 2010 LabROSA Chord Recognition System
36. The Echo Nest Musical Fingerprint
37. Using Speech Models for Separation
38. A Simple Correlation-Based Model of Intelligibility for Nonlinear Speech Enhancement and Separation
39. A variational EM algorithm for learning eigenvoice parameters in mixed signals
40. Finding similar acoustic events using matching pursuit and locality-sensitive hashing
41. Guided harmonic sinusoid estimation in a multi-pitch environment
42. Handling Asynchrony in Audio-Score Alignment
43. Improving MIDI-audio alignment with acoustic features
44. Learning, Using, and Adapting Models in Scene Analysis
45. Multi-Voice Polyphonic Music Transcription Using Eigeninstruments
46. Quantitative Analysis of a Common Audio Similarity Measure
47. Sequential Organization from an Ecological Perspective
48. Short-term audio-visual atoms for generic video concept classification
49. Some Projects in Real-World Sound Analysis
50. Source Separation Based on Binaural Cues and Source Model Constraints
51. Structured Prediction Models for Chord Transcription of Music Audio
52. The Ideal Interaural Parameter Mask: A Bound on Binaural Separation Systems
53. Using Speech Models for Separation
54. Voice SourceWaveform Analysis and Synthesis Using Principal Component Analysis and Gaussian Mixture Modelling
55. An Empirical Approach to Studying Intonation Tendencies in Polyphonic Vocal Performances
56. A Tempo-Insensitive Distance Measure for Cover Song Identification based on Chroma Features
57. Cross-Correlation of Beat-Synchronous Representations for Music Similarity
58. Cross-Correlation of Beat-Synchronous Representations for Music Similarity
59. Current Music Research at LabROSA
60. Detecting Music in Ambient Audio by Long-Window Autocorrelation
61. Introduction to the Special Issue on Music Information Retrieval
62. Mining for the Meaning of Music
63. Mining for the Meaning of Music
64. Multiple-Instance Learning For Music Information Retrieval
65. Stylization of Pitch with Syllable-Based Linear Segments
66. The 2008 LabROSA Supervised Chord Recognition System
67. Analysis of Everyday Sounds
68. An EM Algorithm for Localizing Multiple Sound: Sources in Reverberant Environments
69. Autoregressive Modeling of Temporal Envelopes
70. A Web-Based Game for Collecting Music Metadata
71. Beat-Synchronous Chroma Representations for Music Analysis
72. Classifying music audio with timbral and chroma features
73. Classifying Music Audio with Timbral and Chroma Features
74. EM localization and separation using interaural level and phase cues
75. Evaluation Distance Measures Between Gaussian Mixture Models of MFCCs
76. Extracting and Using Music Audio Information
77. Fingerprinting to Identify Repeated Sound Events in Long-Duration Personal Audio Recordings
78. Fingerprinting to Identify Repeated Sound Events in Long-Duration Personal Audio Recordings
79. Identifying "Cover Songs" with Beat-Synchronous Chroma Features
80. Identifying 'Cover Songs' with Chroma Features and Dynamic Programming Beat Tracking
81. Improving generalization for polyphonic piano transcription
82. Large-scale multimodal semantic concept detection for consumer video
83. Monaural speech separation using source-adapted models
84. Multimodal segmentation of lifelog data
85. Searching for Similar Phrases in Music Audio
86. Solo Voice Detection Via Optimal Cancellation
87. The 2007 LabROSA Cover Song Detection System
88. The 2007 LabROSA cover song detection system
89. Using Sound Source Models to Organize Mixtures
90. Using Source Models in Speech Separation
91. A probability model for interaural phase difference
92. Auditory Scene Analysis in Humans and Machines
93. Beat Tracking with Dynamic Programming
94. Cover Song ID with Beat-Synchronous Chroma Features
95. Estimating Single-Channel Source Separation Masks: Relevance Vector Machine Classifiers vs. Pitch-Based Masking
96. Estimating the Number of Marine Mammals Using Recordings of Clicks from One Microphone
97. Extracting Information from Music Audio
98. Extracting Information from Music Audio
99. Identifying 'Cover Songs' with Beat-Synchronous Chroma Features
100. Minimal-Impact Personal Audio Archives
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