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2. Augmenting and Exploiting Auditory Perception for Complex Scene Analysis
3. On Communicating Computational Research
4. Subband Autocorrelation Features for Video Soundtrack Classification
5. The Challenge of Communicating Computational Research
6. The State of Music at LabROSA
7. Handling Speech in the Wild
8. Inharmonic Speech: A Tool for the Study of Speech Perception and Separation
9. Inharmonic Speech: A Tool for the Study of Speech Perception and Separation
10. Large-Scale Cover Song Recognition Using the 2D Fourier Transform Magnitude
11. Making a Scene: Alignment of Complete Sets of Clips Based on Pairwise Audio Match
12. Mining Audio
13. Mining Large-Scale Music Data Sets
14. Music Information Retrieval for Jazz
15. Noise Robust Pitch Tracking by Subband Autocorrelation Classification
16. Noise Robust Pitch Tracking by Subband Autocorrelation Classification
17. Perceptually-Inspired Music Audio Analysis
18. Recognizing and Classifying Environmental Sounds
19. Classifying soundtracks with audio texture features
20. Combining Localization Cues and Source Model Constraints for Binaural Source Separation
21. Consumer Video Understanding: A Benchmark Database and An Evaluation of Human and Machine Performance
22. Dialect and Accent Recognition using Phonetic-Segmentation Supervectors
23. Direct processing of MPEG audio using companding and BFP techniques
24. Echoprint: An Open Music Identification Service
25. Environmental Sound Recognition and Classification
26. Evaluating music sequence models through missing data
27. Extracting Information from Sound
28. Joint Audio-Visual Signatures for Web Video Analysis
29. Large-scale cover song recognition using hashed chroma landmarks
30. Music Audio Research at LabROSA
31. Signal Processing for Music Analysis
32. Soundtrack classification by transient events
33. Spectral vs. spectro-temporal features for acoustic event detection
34. Speech Separation for Recognition and Enhancement
35. The Million Song Dataset
36. Transcribing Multi-Instrument Polyphonic Music With Hierarchical Eigeninstruments
37. Using the Soundtrack to Classify Videos
38. A History and Overview of Machine Listening
39. A Probabilistic Subspace Model for Multi-Instrument Polyphonic Transcription
40. Audio-Based Semantic Concept Classification for Consumer Video
41. Audio Fingerprinting to Identify Multiple Videos of an Event
42. Clustering beat-chroma patterns in a large music database
43. Cover Song Detection: From High Scores to General Classification
44. Detecting local semantic concepts in environmental sounds using Markov model based clustering
45. Evaluating Source Separation Algorithms With Reverberant Speech
46. Joint Audio-Visual Signatures for Web Video Analysis
47. Model-Based Expectation-Maximization Source Separation and Localization
48. Music Audio Research at LabROSA
49. The 2010 LabROSA Chord Recognition System
50. The Echo Nest Musical Fingerprint
51. Using Speech Models for Separation
52. A Simple Correlation-Based Model of Intelligibility for Nonlinear Speech Enhancement and Separation
53. A variational EM algorithm for learning eigenvoice parameters in mixed signals
54. Finding similar acoustic events using matching pursuit and locality-sensitive hashing
55. Guided harmonic sinusoid estimation in a multi-pitch environment
56. Handling Asynchrony in Audio-Score Alignment
57. Improving MIDI-audio alignment with acoustic features
58. Learning, Using, and Adapting Models in Scene Analysis
59. Multi-Voice Polyphonic Music Transcription Using Eigeninstruments
60. Quantitative Analysis of a Common Audio Similarity Measure
61. Sequential Organization from an Ecological Perspective
62. Short-term audio-visual atoms for generic video concept classification
63. Some Projects in Real-World Sound Analysis
64. Source Separation Based on Binaural Cues and Source Model Constraints
65. Structured Prediction Models for Chord Transcription of Music Audio
66. The Ideal Interaural Parameter Mask: A Bound on Binaural Separation Systems
67. Using Speech Models for Separation
68. Voice SourceWaveform Analysis and Synthesis Using Principal Component Analysis and Gaussian Mixture Modelling
69. An Empirical Approach to Studying Intonation Tendencies in Polyphonic Vocal Performances
70. An Introduction to Signal Processing for Speech
71. A Tempo-Insensitive Distance Measure for Cover Song Identification based on Chroma Features
72. Cross-Correlation of Beat-Synchronous Representations for Music Similarity
73. Cross-Correlation of Beat-Synchronous Representations for Music Similarity
74. Current Music Research at LabROSA
75. Detecting Music in Ambient Audio by Long-Window Autocorrelation
76. Introduction to the Special Issue on Music Information Retrieval
77. Mining for the Meaning of Music
78. Mining for the Meaning of Music
79. Multiple-Instance Learning For Music Information Retrieval
80. Stylization of Pitch with Syllable-Based Linear Segments
81. The 2008 LabROSA Supervised Chord Recognition System
82. A Discriminative Model for Polyphonic Piano Transcription
83. Analysis of Everyday Sounds
84. An EM Algorithm for Localizing Multiple Sound: Sources in Reverberant Environments
85. Autoregressive Modeling of Temporal Envelopes
86. A Web-Based Game for Collecting Music Metadata
87. Beat-Synchronous Chroma Representations for Music Analysis
88. Beat Tracking by Dynamic Programming
89. Classifying Music Audio with Timbral and Chroma Features
90. Classifying music audio with timbral and chroma features
91. EM localization and separation using interaural level and phase cues
92. Evaluation Distance Measures Between Gaussian Mixture Models of MFCCs
93. Extracting and Using Music Audio Information
94. Fingerprinting to Identify Repeated Sound Events in Long-Duration Personal Audio Recordings
95. Fingerprinting to Identify Repeated Sound Events in Long-Duration Personal Audio Recordings
96. Identifying "Cover Songs" with Beat-Synchronous Chroma Features
97. Identifying 'Cover Songs' with Chroma Features and Dynamic Programming Beat Tracking
98. Improving generalization for polyphonic piano transcription
99. Large-scale multimodal semantic concept detection for consumer video
100. Melody Transcription From Music Audio: Approaches and Evaluation
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