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2. VQ Source Models: Perceptual and Phase Issues
3. Voice SourceWaveform Analysis and Synthesis Using Principal Component Analysis and Gaussian Mixture Modelling
4. Voice Activity Detection in Personal Audio Recordings Using Autocorrelogram Compensation
5. Using Voice Segments to Improve Artist Classification of Music
6. Using the Soundtrack to Classify Videos
7. Using Speech Models for Separation
8. Using Speech Models for Separation
9. Using Source Models in Speech Separation
10. Using Sound Source Models to Organize Mixtures
11. Using mutual information to design feature combinations
12. Using Mutual Information to design class-specific phone recognizers
13. Using Learned Source Models to Organize Sound Mixtures
14. Using acoustic condition clustering to improve acoustic change detection on broadcast news
15. Underconstrained stochastic representations for top-down computational auditory scene analysis
16. Transforming Spontaneous to Read Speech
17. Transcribing Multi-Instrument Polyphonic Music With Hierarchical Eigeninstruments
18. Towards Single-Channel Unsupervised Source Separation of Speech Mixtures: The Layered Harmonics/Formants Separation-Tracking Model
19. Toward Evaluation Techniques for Music Similarity
20. THISL progress report - 1999sep
21. THISL progress report
22. The weft: A representation for periodic sounds
23. The THISL SDR system at TREC-8
24. The State of Music at LabROSA
25. The Quest for Ground Truth in Musical Artist Similarity
26. The Quest for Ground Truth in Musical Artist Similarity
27. The Meeting Project at ICSI
28. The Ideal Interaural Parameter Mask: A Bound on Binaural Separation Systems
29. The Echo Nest Musical Fingerprint
30. The 2010 LabROSA Chord Recognition System
31. The 2008 LabROSA Supervised Chord Recognition System
32. The 2007 LabROSA Cover Song Detection System
33. The 2007 LabROSA cover song detection system
34. Tandem modeling investigations
35. Tandem connectionist feature stream extraction for conventional HMM systems
36. Tandem acoustic modeling: Neural nets for mainstream ASR?
37. Tandem acoustic modeling in large-vocabulary recognition
38. Subband Autocorrelation Features for Video Soundtrack Classification
39. Stylization of Pitch with Syllable-Based Linear Segments
40. Structured Prediction Models for Chord Transcription of Music Audio
41. SPRACH/ThisL review
42. Speech Separation in Humans and Machines
43. Speech Separation for Recognition and Enhancement
44. Speech Separation: Evaluation
45. Speech Recognition technology from the ICSI Realization Group
46. Speech Recognition at ICSI: Broadcast News and beyond
47. Speech/music discrimination based on posterior probability features
48. Speech interfaces: A survey and some current projects
49. Speech Feature Smoothing for Robust ASR
50. Spectral vs. spectro-temporal features for acoustic event detection
51. Speaker Turns from Between-Channel Differences
52. Speaker turn segmentation based on between-channel differences
53. Source Separation Based on Binaural Cues and Source Model Constraints
54. Soundtrack classification by transient events
55. Sound Texture Modelling with Linear Prediction in both Time and Frequency Domains
56. Sound Organization by Source Models in Humans and Machines
57. Sound, Mixtures, and Learning: LabROSA Overview
58. Sound, Mixtures, and Learning: LabROSA Overview
59. Sound, Mixtures, and Learning: LabROSA Overview
60. Sound, Mixtures, and Learning: LabROSA Overview
61. Sound, Mixtures, and Learning: LabROSA Overview
62. Sound, Mixtures, and Learning: A Perspective on CASA
63. Sound, Mixtures, and Learning
64. Sound, Mixtures, and Learning
65. Sound, Mixtures, and Learning
66. Sound content analysis for indexing and understanding
67. Sound Analysis Research at LabROSA
68. Song-Level Features and Support Vector Machines for Music Classification
69. Some Projects in Real-World Sound Analysis
70. Some aspects of the ICSI 1998 Broadcast News effort
71. Solo Voice Detection Via Optimal Cancellation
72. Size matters: An empirical study of neural network training for large vocabulary continuous speech recognition
73. Signal Processing for Music Analysis
74. Short-term audio-visual atoms for generic video concept classification
75. Sequential Organization from an Ecological Perspective
76. Semantic Audio Analysis
77. Selection, Parameter Estimation, and Discriminative Training of Hidden Markov Models for General Audio Modeling
78. Segmenting and Classifying Long-Duration Recordings of "Personal Audio"
79. Searching for Similar Phrases in Music Audio
80. Searching and Describing Audio Databases
81. Scene Analysis for Speech and Audio Recognition
82. Review of SPRACH/Thisl meetings Cambridge UK, 1998sep03/04
83. RESPITE: Tandem and multistream research
84. RESPITE progress report
85. Reducing errors by increasing the error rate: MLP Acoustic Modeling for Broadcast News Transcription
86. Recognition and Organization of Speech and Audio
87. Recognition and Organization of Speech and Audio
88. Quantitative Analysis of a Common Audio Similarity Measure
89. Prediction-driven computational auditory scene analysis for dense sound mixtures
90. Prediction-driven computational auditory scene analysis
91. PLP2: Autoregressive modeling of auditory-like 2-D spectro-temporal patterns
92. Pitch-based emphasis detection for characterization of meeting recordings
93. Perceptually-Inspired Music Audio Analysis
94. Pattern Recognition Applied to Music Signals
95. On the importance of illusions for artificial listeners
96. Noise Robust Pitch Tracking by Subband Autocorrelation Classification
97. Music Audio Research at LabROSA
98. Music Audio Research at LabROSA
99. Multi-Voice Polyphonic Music Transcription Using Eigeninstruments
100. Multi-stream speech recognition: Ready for prime time?
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